Blush. Drawing and a correcting of the form of the person by means of blush

Blush is applied to recover a complexion, to correct its form and to underline beauty of natural lines. Blush can be dry (compact or friable) and fat, in the form of a cream; matte, with easy shine or shining.

On counters of cosmetic shops it is possible to meet blush in balls — they represent a set of peas of various shades. Use such blush the same as also the ordinary pressed: a brush some times spend on a surface of multi-coloured balls and put on the face.

Blush should be combined with all make-up harmoniously. Visagistes recommend to choose them to match lipsticks. So, for example, if lipstick red-beige it is better to choose blush of a kirpichno-brown shade; if use lipstick of light pink or violet colour and it is ruddy it is necessary to use rozovo-violet. For an evening make-up choose brighter blush, rather than for the day. A fine variant for evening — blush with shine. Use blush only hardly more darkly colour of a skin in the afternoon.

Drawing of blush

Fat blush puts sponzhem, dry — with the help spetsialjuj brushes (it is little bit less than that, that is used for powder drawing). And if dry blush puts only after napudrivanija persons kremoobraznye use at once after a cream-basis.

There are some ways of their drawing:

• to pound it is a little kremoobraznyh blush over a day cream, and then to powder the person;

• after drawing of tone by tips of fingers or a sponge to pound blush on cheekbones.

It is possible to use both kinds of blush simultaneously: at first to put kremoobraznye blush, to powder the person, then to walk the big brush with friable blush on cheekbones.

The quantity of blush on the person should be moderated, differently the flush will look it unnatural.

Blush puts on a face skin in the following sequence:

To put blush on cheeks. For this purpose it is necessary to spend a strip lengthways the most outstanding part of a cheekbone, up to hair. To shade a paint that colour was equal. To estimate result: to look at itself in a mirror sideways. It is not necessary to put blush too close to a nose: the person will look more senior.

To put blush on a forehead. For this purpose it is necessary to put a small amount of blush in the centre of a forehead and easy movements to pound edges.

To put blush on a chin. To put blush in the chin centre, and then carefully to pound them: they should be hardly appreciable.

Drawing of blush along a line of hair

To improve a complexion, a few matte dry blush to put along a line of hair, beginning from the right ear to left, and carefully to shade them towards the left ear.

By means of blush it is possible to correct the form of the person:

Having a round face, it is necessary to put blush on cheeks at level of the basis of an ear towards corners of a mouth and under cheekbones. Precisely to define, where it is necessary to put blush, it is necessary to involve cheeks: places where hollows are formed, and are those areas which should be reddened.

The person in the form of a pear rumjanjat from contours of jaws to cheekbones, designating an appreciable line to sides of cheeks.

Visually to truncate the rectangular person it is possible, having put blush on cheekbones and having spent a line towards a temple in parallel a forehead line.

Visagistes advise to owners of the oval person to put blush on an acting part of cheekbones and cautiously to pound towards temples. Thus try, that contours of blush were not allocated. Consider, that brilliant blush gives volume and does cheekbones by more convex.

Advice:

j It is undesirable to apply blush to young girls in whom the natural flush of a youth is inherent, and to ladies is elderly, with a languid, wrinkled skin.